Thomas Philbrick regulary writes as a literature and music critic for various publications, including The New Criterion, The University Bookman, Modern Age, and VoegelinView.

https://voegelinview.com/jonathan-leshnoffs-violin-concerto-no-2/

https://modernagejournal.com/a-love-song-for-albion/248446/

https://modernagejournal.com/a-russian-pianists-american-songbook/246387/

https://voegelinview.com/michael-torkes-violin-concerto/

https://modernagejournal.com/charles-ives-american-eccentric/246919/

https://modernagejournal.com/classical-music-as-art-and-play/246928/

https://modernagejournal.com/a-musical-bridge-between-past-and-present/249644/

https://voegelinview.com/hearing-david-conte/

https://newcriterion.com/dispatch/a-viennese-hour-in-detroit/

https://voegelinview.com/listening-to-the-capucon-brothers/

https://voegelinview.com/frontier-demons-a-review-of-aaron-gwyns-the-cannibal-owl/